Kill Keith Vol. 2

September 21, 2011

Damn my ignorance! @ShowbizSimon on Twitter makes some comment about killing Keith Chegwin as a movie, I think ‘that’s a great idea’ and, in an Ernie Wise fit of fifteen minute screenwriting, I bash out my take for a film called Kill Keith.

Damn it all! Then, I go and find out it exists! Who knew? Well, many of you I guess. I didn’t know. Or I’d forgotten (Trev thinks I’d forgotten and he knows my mind better than me).  So, I write it this morning (like I say, 15 minutes… let’s not get too precious over this) and send it over to Trev. He gets in touch to tell me it’s real. There is a film. It is called Kill Keith.

Damn it to high heaven! And we didn’t even get a part in the damned saga!

So, for entertainment purposes only, here’s ‘the film what I wrote’. Let’s call it Kill Bill Vol.2

All of the ‘real’ people referred to are made-up, including myself. Though the beginning knocking on the door stuff is true.

KILL KEITH Vol 2

Everyone loves Keith Chegwin. He’s had his ups and downs – whether battling alcoholism or accusations of joke theft on Twitter – but as long as he does something cheeky soon afterwards – whether getting nuddy for a low-rent quiz show, opening a supermarket in Stoke, or laughing on a morning chat show – he always comes up smelling of roses.

Everyone loves Keith Chegwin. Apart from Simon Hickson.

The early 90’s. Simon is asleep in bed. Well, a kind of a bed. Simon, despite being a regular on Saturday morning’s kid’s TV, lives a squalid live. Like Keith a few years before, he’s battling his demons. Even in his sleep.

As he dreams, he hears the squeaky voice of Cheggers. Just a dream. A nightmare. And then his door bell rings and Simon is awake! Keith is at his door. All part of those jolly early morning wake up calls he does for the live Channel 4 show, The Big Breakfast.

This is horrible! Surely this kind of thing only happens to proper celebrities, like Linda Lusardi. What can Simon do? He calls his agent but it’s 7.30am and she doesn’t get in until noon. He calls Trev. Trev’s wife answers and refuses to believe Simon’s story; she knows he’s delusional, mad, not good in the mornings. She hangs up on him, refusing to disturb the slumbering Trev who deserves a lie in after a late night watching Bid TV.

“He he! I’m here outside Simon out of Trev and Simon’s house! He’s not answering. Yet! He he!”

Simon’s in a panic. What to do? Then he knows. He’ll scare Keith and also get Trev and Simon some well-deserved notoriety. It’ll do them good to cause a bit of an uproar.

Simon answers the door to Keith. Naked. Waving a replica firearm.

*****************************************************************************************

It didn’t work out.

It stopped Trev and Simon’s career in its tracks. Keith had a breakdown, went into a home, and emerged a few months later, loved by the public more than ever.

******************************************************************************************

Years later. Simon can’t let it go. He’s met Keith since, at showbiz do’s here and there, and Keith has apologised. He was only doing his job. So were the Nazis Simon points out.

Simon decides his only option is to kill Keith. Trev, aware that he slept through the whole thing after a long night of Peter Simon watching, feels just a tiny bit guilty. He reluctantly agrees to help out. And then Trev and Simon approach the comedians whose jokes have been stolen by Keith on Twitter… discreetly… direct messaging.

A cabal is formed. An elite team of comedy assassins dedicated to ridding the world of Keith Chegwin; Trev, Simon, Ed Byrne, Lee Mack, Milton Jones, and Jimmy Carr.

They meet and form a plan.

They put their assassination plot into action.

***********************************************************************************************

Keith Chegwin is tied up in a basement. Jimmy Carr’s basement, full of suits. It’s his suit cellar. The team argue over who’s going to kill Keith. And how.

But Keith is wily. And cuddly. He he! And the asinine assassins find it impossible to carry out the vile task.

This wasn’t the way it was meant to be.

They hated Keith, but, after holding him captive they’ve all developed Stockholm Syndrome in reverse. They love him now, and he has grown to love them.

***********************************************************************************************

Keith understands, he empathises. Irritating celebrities should be dead. His team are just targeting the wrong people. Keith has been wronged too along the way and he has a revenge hit list. Between them they draw up a list of ‘celebrities’ who really do deserve to get it! He he!

Kill Keith has become Keith Kills. Headed up by their new honcho our team of crappy killers see off deserving celebrities one by one.

No one knows who is behind the mystery murders of some of the most despised and undeserving ‘celebrities’ on TV… from the original Nasty Nick through to poor old John Stape from ‘Corrie’ – heck, he’s only an actor, does he really deserve to die? The public can’t tell fact from fiction and are happy to scream ‘Yes!’

Murder after murder… from game show hosts to reality ruffians to bad actors… the team are inventive with their killing ways, making the death suit their TV crime.

Eventually they make a mistake and the mystery murder team are exposed. Like Taxi Driver or The King of Comedy though, they go unpunished. They are just too loved now by a public happy to see the demise of those least loved. Those who now go by the names of ‘Killebrities’.

All films should have happy endings, and Kill keith is no exception. The team get their own prime time TV show; Killed by Keith – a gameshow where ‘game’ celebs go through a pretend execution if they fail to win viewers votes.

But why’s it called Killed by Keith? Lee Mack’s not too happy. Resentment starts to brew in Milton’s hair. Byrne by name burn by nature. Carr wants to push Keith off a cliff. Trev and Simon suggest a new plan… to be continued… ?

And here’s the real thing…

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